I am looking to the ceiling, marvelling at everything, and suddenly the organ plays to add even more atmosphere ... take a look and listen ...
When I've had my fill of the interior and the facades (does one ever get enough of this place?), I make my way to the Museum which is beautifully curated and highly informative. It tells the story of the development and creation of this place - from a traditional Gothic concept to this Gaudi structural masterpiece that surely has to be one of the most stunning buildings in the whole wide world.
I love stained glass windows but these are something else. The way the sunlight soaks through them, generating haunting channels of light in a spectrum of perfectly controlled colour, has me enthralled. I read all about Joan Vila-Grau, who was commissioned in 1999 to create these incredible stained glass windows based on the instructions Gaudi left behind. There's an informative video and colour samples. where ink meets glass to create the perfect colour combos. Ink is my all-time favourite art medium to work with and I'm in creative heaven. Inspirational ideas are brewing ...
As the photos I've showcased in the previous post reveal ... Joan nailed it and Gaudi would be so proud.
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| Joan Vila-Grau at work |
Gaudi was influenced by mathematics, geometry and nature and this incredible building combines all these concepts, and so much more. I am intrigued by the "Magic Square" on the Passion Facade, where adding up every combo of four numbers in a variety of patterns always equals 33. It's genius. Try it ...
The fabulous sculptures, doors, panels and detail on the Passion Facade were created by the late Subirachs, who also created this fabulous Magic Square, which he adapted from a similar square developed by Albrecht Durer (whose work always intrigues me). Mind blowing stuff. I love the patina look and the intricate detail. I remain in creative heaven.
I head to the exit, although I don't really want to leave. I step out the door to discover that a major thunderstorm is about to unleash. Staff are battening down hatches, lightning is flashing across the sky, thunder is booming and a foreboding darkness descending. I am literally almost swept off my feet by the wind, even though I am tucked into a recess of the building. I hold onto the doorway to secure myself as I look up. There is no rain as yet, but without doubt it is coming very soon. This state of affairs is rather disconcerting but immensely atmospheric. And I have no choice but to stay ...
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| A thunderstorm strikes |
I return inside and soak up more of what the Museum offers while the storm rages outside. A little later I venture out again and, whilst the storm has subsided, there is still lightning striking and a moody grey sky above. The rain has stopped, but the ground is wet. I decide, as I pass the Nativity Facade again on my way out, to have one last look inside.
OMG - what a different scene awaits me. It is 7:30pm by now and not many people around. Without the sunshine the colours are more muted. There's a mellow feel, like the place is heading for an easy and well-earned slumber. It is striking in quite a different way to before. Joan's windows seem even more hauntingly beautiful and I am so glad I came back for another look.
Before heading to the Metro and back to my hotel I walk around the outside of the Basilica, looking up. The Virgin Mary Tower was completed in December 2021 and it stands tall and proud with its stunning star. I didn't go up the towers today but they offer fantastic views of the city - next time ...
Back at my hotel, I eat the other half of my baguette, drink a can of beer and crash. My body and soul need nothing more for today.
All I can say is that everyone should visit this building at least once in a lifetime. I spent four hours absorbing every ounce of its beauty and complexity, and even though I was anticipating an exquisite experience, these hours of my life touched my soul and inspired my creative juices more than I expected. I could have stayed for much longer. And I will aim to return to see its progress.
OBSERVATION OF THE DAY:
Below the Basilica is the Crypt - a church within a church. This is where Gaudi's tomb is. As I leave the Sagrada, I pass the Crypt entrance - it is open to the public for those who wish to worship at the evening service. I'm tempted to stay for the experience, which would give another perspective of this wonderful place, but I feel replete and weary.
I do recommend a late afternoon/early evening excursion - less crowds, cooler, and stay awhile to see how the light transitions from day to evening glow.